Tips On Finding Good Topics For A Nursing Research Paper

<h1>Tips On Finding Good Topics For A Nursing Research Paper</h1><p>Researching points for nursing research paper is an important part of your work. On the off chance that you will be submitting it to a significant nursing diary, you ought to be secure with the point that you might want to cover and compose about.</p><p></p><p>It won't be workable for you to get your doctoral level college to favor your exploration paper in the event that it isn't elegantly composed. The manager of the diary will not acknowledge a paper that is inadequately composed. Be that as it may, you can keep away from this by directing a study on the points that you might want to talk about in your paper.</p><p></p><p>You may have a rundown of the subjects that you need to look into and that are identified with nursing. You can examine the web and see what individuals have expounded on these points. In the event that you read and are not happy w ith their examination results, you can generally look for the assistance of the authors.</p><p></p><p>There are a few sites that are offering data about the great theme for a nursing research paper. These sites for the most part pay a token for the articles that they give and some even give you the alternative of joining a gathering to speak with the writers of the articles. This can truly assist you with getting a decent point for your paper.</p><p></p><p>Some graduate schools would likewise recommend certain themes for you. In the event that you find that there is no notice of your point in the previously mentioned destinations, you can visit the college where you are going to take your degree and get the data from the personnel or the college.</p><p></p><p>If you despite everything can't get the subject that you requirement for your examination paper, you can do a pursuit on the web to get a few thoughts for the theme that you will talk about. You can record the point you need to talk about as a kind of perspective and when you run over a subject that you like, you can approach the creator for additional data about it.</p><p></p><p>You should place in a great deal of time so as to set up your exploration paper however it will be justified, despite all the trouble at long last. You can guarantee that the point that you examine in your paper will be elegantly composed with the goal that it will give you the best doctoral level college results that you deserve.</p>

Things They Carried Essay Topics For College Level Essays

<h1>Things They Carried Essay Topics For College Level Essays</h1><p>In case you are keen on the things they conveyed paper themes, you are not the only one. This article is here to get you out with the best exposition points for every theme area.</p><p></p><p>You will need to have paper subjects for your school level papers. There are an assortment of things that you can look over while choosing your themes. In the event that you have been perusing school paper subjects for a considerable length of time, at that point this article might be useful to you.</p><p></p><p>The things they conveyed exposition themes may be papers about time the executives, self-awareness, connections, and so on. Previously, journalists were disheartened from going astray from the old style of composing that individuals thought about legitimate. These kinds of points don't appear to be extremely present day any longer. You should choose one o f these points in the event that you might want to figure out how to deal with time and how to identify with other people.</p><p></p><p>Another thing that may show you exposition themes for school level articles is composing on different subjects identified with training. For instance, you might need to compose a paper on the money related circumstance of the nation. You can look at the patterns and circumstances around the globe today just as the patterns of different nations over the previous decades. These patterns and circumstances may give knowledge into your nation's monetary standing and the important activities that it needs to take so as to make the economy better.</p><p></p><p>Other fascinating points that you might need to consider expounding on incorporate human services, neediness, movement, future business, sadness, work-life equalization, and others. These themes have applications throughout your life today. You can look at these subjects with open-minded perspectives from your viewpoint. They are normally identified with a present issue that you should have the option to relate to.</p><p></p><p>Finally, you can likewise cover grounds life. Recorded as a hard copy about this theme, you have to consider things like athletic groups, uncommon occasions, and understudy clubs. You will likewise need to address things like associations, occasions, and uncommon occasions at the school. You will likewise need to expound nearby life all in all. This implies you should concentrate on the assortment of interests that individuals have, and you will expound on various parts of grounds life.</p><p></p><p>These are the three things they conveyed paper subjects that you ought to consider. You may discover these subjects helpful as you compose your school level expositions. Ideally, you will discover one that is important to you.</p>

Writing a Problem and Solution Essay - The Importance of Using Detail in Your Essay

Writing a Problem and Solution Essay - The Importance of Using Detail in Your EssayWhen writing a problem and solution essay, the importance of using detail is key. While it may be easier to simply use words like 'good', 'bad'right' to discuss a problem, using details will make a better essay. In addition, it will save time and will allow the essay to be more thought-provoking than merely saying, 'It is so', or, 'It is not so'.If you do not know how to present a problem in a way that will be compelling, begin by discussing some sample problems you have been faced with and then write about the results. These will be 'core' problems that will create more depth and detail than other issues that are described.The most common problem encountered is procrastination, which can cause the idea to slip away, never to be resolved. When writing a problem and solution essay you need to include an example of this problem and a solution, but when you do not use this method, the solutions are mere i deas.If you are unsure of what problem you want to solve, look for a problem that has similar elements. For example, do you need a solution to the problem of finding a place to eat during a busy day?Think about the last time you sat down at the table and felt like you were missing out. If your thought was, 'I will not have lunch because I am working on a big project and will not be able to eat' you probably needed to include more detail in your essay.This kind of problem is almost always associated with a long list of things that have to be done. Many times, these are the same projects that are taking up your time and creating a more stressful atmosphere.The problem is a person's lifestyle, and not a case of ignoring a problem. Also, a list of projects must be accompanied by the time required to complete them.Writing a problem and solution essay is not hard, and it is important to be creative and to include the basics when filling out the blank spaces on your essay. However, being t horough when you are writing a problem and solution essay is crucial to the success of your writing.

The Importance of Positioning in the Construction of Power An examination of three short stories by Angela Carter, and the corresponding film The Company of Wolves - Literature Essay Samples

â€Å"The Werewolf†, â€Å"The Company of Wolves† and â€Å"Wolf Alice†, three short stories by Angela Carter, recreate and transform, the traditional story of â€Å"Little Red Riding Hood†. The Company of Wolves, a 1984 film directed by Neil Jordan and co-written by Carter, incorporate these stories and adapts them for the screen. Despite the different mediums, both Carter’s short stories and Jordan’s film examine the power of storytelling; portraying stories as a way to construct meaning and either re-enforce or question social norms. Also central to these works is the examination of gazing and the male gaze. Both gazing and storytelling are portrayed as means of power because they dictate how males and females are positioned and portrayed within society. Carter’s preoccupation with the positioning of women in fiction can be seen in her choice to re-write a fairy tale and is also evident in the folk tales incorporated in her short st ories which are retold by Granny and Rosaleen in the film. Through the examination of storytelling and gazing, Carter and Jordan suggest that the positioning of female characters created by these elements is central in the construction and portrayal of power. Carter describes fairy tales as stories â€Å"put together†¦out of all sorts of bits of other stories† (Carter, as quoted by Lappas 125). This recognition of the changeable and authorless nature of fairy tales is starkly different to the myth propagated by Perrault, the Grimm Brothers and other fairy tale writers that their versions of the stories were true, original, and untainted folklore (Gruss 196). In The Company of Wolves, Jordan in keeping with the medium of film, a literary form that emphasizes visual presentation, and uses â€Å"space as its formative principle† (Elliot, citing Lessing), incorporates images connected with popular fairy tales and myths to subtly suggest the malleable nature of stories. The inclusion of the Snow White imagery of doves at the well; the Hansel and Gretel imagery of the gingerbread man given to Rosaleen by her Granny; and the presence of the snake and the apple suggestive of the Genesis creation story (The Company of Wolves), r eferences the fact that all stories are made up of similar tropes and ideas, and every story uses some combination of these, depending on their purpose and audience. This challenges the idea that fairy tales, or indeed, any stories are â€Å"unchangeable, timeless, and limitlessly valid entities† (Gruss 197), leading viewers to question Granny’s assertion that her story is â€Å"God’s honest truth† (The Company of Wolves). This idea of the one true story is also challenged in Carter’s short stories, through her use of tone, a fitting technique for a written form which, like the novel, is, â€Å"conceptual, linguistic (and) discursive† in nature (Elliot, citing Lessing). Carter’s ironic tone in â€Å"The Werewolf† subverts the peasants’ unquestioning belief in tales about â€Å"the Devil† (â€Å"The Werewolf† 108). Carter’s tone drips with sarcasm when she describes the town’s perception of â€Å"a witch – (an) old woman whose black cat, oh, sinister! Follows her about all the time!†(â€Å"The Werewolf†, 108). In re-telling this fairy-tale through short stories, Carter not only questions the idea of the true and timeless story but also challenges the existence of one correct way of viewing the world and society. As Gruss (196) points out, the morals, the portrayal of women and the norms present in the Perrault and Grimm versions of fairy tales were designed to encourage specific sets of socially accepted beliefs. For example, the morals included in Perrault’s stories attempt to propagate the idea that the socially acceptable woman is graceful, hardworking, neat, polite, beautiful and self-controlled (Gruss 195). In contrast, Carter attempts to suggest an alternative to this patriarchal, oversimplified, stereotype of women. Her collection of short stories, The Bloody Chamber, retells fairy tales and focuses on female characters who showcase other traits, such as intelligence, bravery, foolishness, goodness, or cruelty (Gruss 198). Therefore, by re-writing a fairy tale, Carter not only undermines the idea of one true story but also challenges a dogmatic view of society and women. The stories that Granny tell in the film, similar to the versions of Red Riding Hood by Perrault and the Grimm Brothers, reinforce a dogmatic, patriarchal view of society. Just as Perrault and Grimm depict their protagonist as a willing victim of the wolf’s attack, Granny’s incessant warnings to â€Å"keep to the path† (The Company of Wolves) and her claim that men are â€Å"beasts† (The Company of Wolves) – and, therefore supposedly incapable of controlling themselves – perpetuates the idea that girls who do not follow her injunctions, deserve their fate, (Lappas 119-120). Consequently, the audience can see that, although storytelling has the power to undermine and question socially accepted values, it can also be used to reinforce them. Through Granny’s stories and warnings, we see that women too can be implicit in reinforcing their powerless position. The story of the she-wolf and the story of the wedding reception, which appear in Carter’s short stories, and are told by Rosaleen in the film The Company of Wolves, draw attention to the power of storytelling and the power of the gaze. Lappas (116), discusses the power of the gaze, specifically, the male gaze. Lappas contends that when literature is from the perspective of this gaze, women are made the object, and therefore this gaze is ultimately possessive and dominating (116). The oppressive effect of this gaze can be seen in Carter’s short story â€Å"The Company of Wolves†. When trapped in Granny’s house by the wolf, Carter’s protagonist wants her basket but does â€Å"not dare reach for it because his eyes [are] fixed upon her† (â€Å"The Company of Wolves† 117). This male domination caused by the male gaze can also be seen in The Company of Wolves. For the majority of the film, especially in the first half, Rosaleen seems to be the object of the male gaze. As Granny and Rosaleen walk through the woods, the camera peers at them voyeuristically through the bushes. While the short stories leave us to imagine, what the wolf’s â€Å"big eyes† (â€Å"The Company of Wolves† 117) see of the girl, the film makes it very clear. Almost always, when Rosaleen, is viewed from a third party angle the shot places an emphasis on her clear skin, flowing hair, large eyes, and feminine figure. In this way, Lappas claims, Rosaleen is turned â€Å"into a fetish† (120), with her female form depicted as â€Å"her totality† (120). This voyeuristic gaze shifts dramatically in the forest scene when Rosaleen and the village boy are together. When Rosaleen runs away from him, the boy is unable to see her, but as we can tell from shots taken from behind her, as though from her perspective, she can see him. Having the camera from her perspective gives the power to Rosaleen. Rosaleen’s own gaze is further developed after Rosaleen climbs the tree and looks down upon the boy as he walks underneath. Interestingly, it is only after this event in which Rosaleen becomes in charge of her own gaze, that she further asserts her own confidence and authority, by telling her own stories: an act which, Lappas claims â€Å"re-enacts gazing† (123). The story of the witch at the wedding party undergoes an interesting transformation when told from Rosaleen’s perspective in the film. In â€Å"The Company of Wolves†, this story is told by a third person narrator, from the perspective of the townsfolk. The story briefly tells of a â€Å"spite[ful]† (111) witch who â€Å"turned an entire wedding party into wolves because the groom had settled on another girl† (111). When Rosaleen tells the story in the film, it cuts to a reenactment of the wedding scene and takes into account the witch’s gaze. From the witch’s perspective, the audience can see the callousness and gluttony of the wedding guests. It is also made clear, from the shot of the woman’s pregnant figure, the position in which the groom’s selfish actions have placed her. In Rosaleen’s version, she emphasizes the woman’s power. Interestingly it is the witch’s gaze, which seems to be the source of her p ower: she breaks the mirror simply by looking at it. Immediately after the mirror breaks, the camera cuts to shots of the guests’ transformation. During the transformation, the camera continually cuts from the guests to a close up of her face suggesting that it is also with her gaze that she turns the wedding party into wolves. It is the positioning of the woman, in Rosaleen’s version of the story, that constructs the woman’s power. In the written version we are told the witch brings the wolves to her house at night out of â€Å"spite† (111). However, Rosaleen claims the witch does this to derive pleasure â€Å"from knowing the power that she had† (The Company of Wolves). This understanding of the power of the gaze, which Rosaleen showcases in her telling of the witch story, can be seen in both the film and the short story â€Å"The Company of Wolves†, during the confrontation between the wolf and the girl in Granny’s house. In â€Å"The Company of Wolves†, the girl refuses to be the object of the wolf’s gaze: â€Å"she knew she was nobody’s meat† (118), and seduces him through her confidence in her own feminism and sense of sexuality that comes with her powerful gaze: â€Å"she laughed at him full in the face, she ripped off his shirt for him and flung it into the fire† (118). Consequently, in the short story, it is through establishing her own gaze that the girl is able to establish her own â€Å"path† (â€Å"The Company of Wolves†) and come to a sense of fulfilled sexuality. In the film, the same outcome is implied, but it is done through Rosaleen telling her own story, suggesting once again the power of storytelling, and its inherent link to gazing. While these characters find some fulfillment and freedom in their positioning, neither the â€Å"Company of Wolves†, or the film, suggests that this is a perfect solution. Gruss comments on the outcome of â€Å"The Company of Wolves† saying â€Å"the story neither establishes a relationship or a sexual identity that can be acted out within society nor does it attempt to change society according to these newly conceived norms†(212). The incompatibility of this way of life with the norms of their society is demonstrated in the film, in which Rosaleen transforms into a wolf (The Company of Wolves), symbolizing her inability to live in a male-dominated society. Angela Carter’s short stories and Jordan’s film, The Company of Wolves create a discussion of the positioning and portrayal of women in both literature and society. Pointing out the fallibility of any story, by re-writing a fairy tale, and emphasizing the patriarchal and oppressive nature of both fairy tales, and the society that bred them, through Granny’s stories, Carter sets the stage for an alternative. This alternative is demonstrated through â€Å"The Company of Wolves† protagonist and through Rosaleen, the central protagonist in Jordan’s film. Both these characters seem to gain their own identity, and authority, by viewing people and situations themselves and telling their own story. However, neither Carter nor Jordan claim this as a perfect solution. While both the short stories and the film seem to suggest that female power may be regained through women reclaiming their own gaze and perspective, it is suggested that doing so may ultimately separate these women from society as we know it. Works Cited Gruss, Susanne. Genus: Gender in Modern Culture, Volume 11: Pleasure of the Feminist Text : Reading Michà ¨le Roberts and Angela Carter. Editions Rodopi. 2009. Online. Kamilla Elliott. â€Å"Novels, Films, and the Word/Image Wars†. A Companion to Literature and Film. Robert Stam and Alessandra Raengo Lappas, Catherine. â€Å"’Seeing is believing. but touching is the truth’†: Female Spectatorships and Sexuality in The Company of Wolves.† Womens Studies. 25. 2, (1996). 115-21. Online The Company of Wolves. Dir. Neil Jordan. Hen’s Tooth, 1984. Film. Carter, Angela. The Bloody Chamber and Other Stories. Penguin Books. Harmondsworth, England. 1993. Print.